As Video Production Specialist Senior at ATXN, I built Austin's first-ever bilingual podcast infrastructure from scratch, produced PSA and news content for departments across the city, and launched video and audio series that gave Austinites a real inside look at how their city works, in both English and Spanish.
Warrant Amnesty · Public Service Video · 2025
A bilingual PSA produced to help Austinites understand the city's Warrant Amnesty Program, when residents with outstanding warrants or unpaid citations can resolve their cases without fear of arrest. Clear, accessible, designed to reach people who need it most.
Ella Ella · City View · Aired · 2025
A segment produced for City View, ATXN's quarterly showcase, featuring an early piece from a documentary I was developing. Part of a broader civic storytelling initiative connecting residents to the people and stories that make up Austin's fabric.
Keep Austin Safe · Original English-Language Podcast · 2025-2026
The English-language companion to AZULADO, built with the same approach. Worked directly with APD personnel and city staff to make the camera feel like less of a barrier, then carried the work through the full post-production pipeline: audio mixing, motion graphics, lower thirds, episode titles, and series visual identity, all designed in-house at ATXN.
AZULADO: Mantenemos a Austin SeguroOriginal Spanish-Language Podcast · 2025
Austin's first Spanish-language police podcast, built from the ground up. A significant part of this work was relational: sitting with city workers before we ever hit record, building enough trust that people could actually be themselves on camera. From there I owned the full post-production pipeline, audio editing, motion graphics, episode titles, lower thirds, and series artwork, creating a visual identity for a show that gave Austin's Spanish-speaking community direct access to APD in their own language. Every episode, every graphic, every frame, produced at ATXN.
Reflections · Original Series · Unaired · 2025
A show I developed at ATXN that never made it to air, and still might be the work I am most proud of from my time there. Reflections was built around the people who make Austin run: city workers, their careers, their lives, the reasons they showed up. I co-developed the concept, created all graphics from scratch, and produced the full pilot episode.
The first episode followed Annick Beaudet, Assistant Director of the Austin Transportation Department and the force behind Austin's active transportation network: the bike paths, shared lanes, and trails that make the city feel genuinely connected. She was also the lead planner on the Austin Strategic Mobility Plan, the city's first comprehensive transportation vision in decades. And, before all of that, she appeared in Richard Linklater's Slacker. That is the kind of person Reflections was made for: someone doing consequential, unglamorous public work with a life that doesn't fit neatly into a job title.
The first episode followed Annick Beaudet, Assistant Director of the Austin Transportation Department and the force behind Austin's active transportation network: the bike paths, shared lanes, and trails that make the city feel genuinely connected. She was also the lead planner on the Austin Strategic Mobility Plan, the city's first comprehensive transportation vision in decades. And, before all of that, she appeared in Richard Linklater's Slacker. That is the kind of person Reflections was made for: someone doing consequential, unglamorous public work with a life that doesn't fit neatly into a job title.
Festival Beach · Documentary · 2025
Festival Beach sits at the heart of East Austin, a neighborhood with deep Mexican American roots and a community that has long had to fight to be heard by the city it calls home.
This piece uses archival footage to document what happened when Austin residents organized peacefully to oppose boat races in their neighborhood, and the city responded by sending police. What started as a noise pollution complaint became something bigger: a story about who gets to decide what a neighborhood sounds like, and who gets protected when they push back.
An unofficial edit, produced independently during my time at ATXN.
This piece uses archival footage to document what happened when Austin residents organized peacefully to oppose boat races in their neighborhood, and the city responded by sending police. What started as a noise pollution complaint became something bigger: a story about who gets to decide what a neighborhood sounds like, and who gets protected when they push back.
An unofficial edit, produced independently during my time at ATXN.
